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Sir Thomas Lawrence Portrait of Lady Elizabeth Conyngham oil painting


Portrait of Lady Elizabeth Conyngham
Painting ID::  80828
Sir Thomas Lawrence
Portrait of Lady Elizabeth Conyngham
Date between 1821(1821) and 1824(1824) Medium Oil on canvas cyf

   
   
     

Sir Thomas Lawrence Portrait of Mary Palmer, Countess of Inchiquin oil painting


Portrait of Mary Palmer, Countess of Inchiquin
Painting ID::  80990
Sir Thomas Lawrence
Portrait of Mary Palmer, Countess of Inchiquin
Date ca. 1790(1790) Medium Oil on canvas cjr

   
   
     

Sir Thomas Lawrence George III of the United Kingdom oil painting


George III of the United Kingdom
Painting ID::  81013
Sir Thomas Lawrence
George III of the United Kingdom
Date 1792 cyf

   
   
     

Sir Thomas Lawrence Portrait of Lady Elizabeth Leveson-Gower, later Marchioness of Westminster, wife of the 2nd Marquess of Westminster oil painting


Portrait of Lady Elizabeth Leveson-Gower, later Marchioness of Westminster, wife of the 2nd Marquess of Westminster
Painting ID::  81158
Sir Thomas Lawrence
Portrait of Lady Elizabeth Leveson-Gower, later Marchioness of Westminster, wife of the 2nd Marquess of Westminster
Date 1816(1816) Medium Oil on canvas Dimensions 76 x 63 cm (29.9 x 24.8 in) cjr

   
   
     

Sir Thomas Lawrence Portrait of Frederick H oil painting


Portrait of Frederick H
Painting ID::  81179
Sir Thomas Lawrence
Portrait of Frederick H
. 1824 - 25, oil on canvas painting by Thomas Lawrence, Kimbell Art Museum Date c. 1824 - 25 cyf

   
   
     

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     Sir Thomas Lawrence
     1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

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